CNN Rises to the Top in Egypt Coverage

As mesmerized as I have been by watching the unfolding drama of Egyptian protest, governmental intransigence and repressive violence, I have been mindful of the magnificent work of Anderson Cooper and other CNN reporters. Getting home just before 10, each night I put on CNN; when Lawrence O'Donnell moved to the 8pm slot, my other cable channel lost my vote and my eyes. I do put on msnbc, but it is only for Richard Engel (a great reporter himself).

Photos from Egypt.

Pro-Mubarak forces once again clashed with anti-Mubarak forces on Friday. The brutal set-to didn’t take place in Tahrir Square in Cairo, where as many as 100,000 demonstrators managed to assemble peacefully. The brick-throwing was on cable television, as Fox News and MSNBC anchors continued knocking heads over what’s worse: the dictatorship we know or a democratic rebellion we can’t control.

One of the right wing's great inconsistencies is its insistence on the virtues of democracy: they still insist it was a valid reason for invading Iraq, but they do not insist on its validity in Egypt.

On Wednesday, Thursday and again on Friday, Chris Matthews, the host of “Hardball” on MSNBC, ridiculed Glenn Beck of Fox News for predicting a conspiracy for world domination by a leftist-Islamic “caliphate.” On Friday morning Steve Doocy, a co-host of “Fox and Friends,” showed a clip of Mr. Matthews likening the Muslim Brotherhood to the Tea Party movement and then asked L. Brent Bozell III, a conservative commentator, to explain “how the mainstream media has been playing down the Muslim Brotherhood, which, as I mentioned a moment ago, does have ties to terror.”

Where is it written that that the US decides how other nations conduct their internal affairs?

That was just another skirmish in the cable news culture wars, except that the bickering was woven into one of the most critical — and visually riveting — foreign news events in years. In all the confusion, contradiction and multisource coverage in the 11 days since the Cairo uprising began, viewers of American television have been best served by CNN. The Egyptian crisis has played out live on television minute by minute, hour after hour, in an incongruous clash of the modern and the ancient: the opponents fought with stones and on horse and camel, while the watching world looks on via satellite, Skype, Twitter and flip phone. The uprising against President Hosni Mubarak is as compelling to watch as it is hard to parse; even more than with most major news, it helps to have a reliable narrator.

Cooper has been stellar.

The ABC anchor Diane Sawyer stayed in New York and let Ms. Amanpour do what she does best. The NBC anchor Brian Williams had rushed to Cairo, followed by Katie Couric of CBS. They worked hard, but in that volatile setting, the network anchors didn’t have much to do; the best reporting was provided by well-connected veterans like Richard Engel on NBC and Lara Logan of CBS. After pro-Mubarak mobs began going after journalists — Ms. Couric was jostled while trying to report live on Wednesday from Tahrir Square — she and Mr. Williams left the country, quite wisely. On Friday Ms. Couric and Mr. Williams were both back in New York.

Where they belong, and will do least harm.


It’s an unfinished and changing story, but from the beginning, the Cairo uprising gave hundreds of thousands of unprivileged, unheeded Egyptians a voice. So it’s fitting that covering it is giving less eminent but experienced CNN correspondents like Ben Wedeman and Arwa Damon a chance to have their say as well.

‘Skins,’ Sex and Foreign Affairs

On Monday’s episode of  MTV could show minors in the kind of flagrante delicto that is usually reserved for mature audiences. Yet most adult Americans still can’t watch Al Jazeera English on television — even now, when the world is transfixed by images of Egypt in revolt. It seems like a perverse application of free speech. But sex is sexier than foreign affairs and it certainly sells better. Freedom of expression is guaranteed to all Americans, but mostly it follows the money.

Brings to mind that line by H.L. Mencken: "No one ever went broke underestimating the intelligence of the American public." [That seems moreaccurate than: “Nobody ever went broke underestimating the taste of the American public.”]

The English-language version is more cosmopolitan, offering a non-Western view of world events that is instructive, if not always persuasive. Al Jazeera English is available in more than 100 countries, including Canada, but it is almost totally invisible in the United States — except on cable providers in Burlington, Vt.; Toledo, Ohio; and Washington.

What ever happpened to the assertion that most people get their news through the Internet?

To be fair, Al Jazeera English may be providing the most up-close and personal coverage round-the-clock, but it isn’t necessarily the best. And “Skins” isn’t the worst series for young people on cable, not by far. That would be “Jersey Shore.”

The little I see of that latter show makes me wonder just why it is so poular. To wit: “Jersey Shore” is popular mostly because it is a reality show that works like a cartoon. The stars are self-parodying characters who misbehave outlandishly — without comeuppance or scary consequences. Like Daffy Duck, who can dodge hunters’ bullets and swallow nitroglycerin, characters like Snooki can curse, get drunk, have promiscuous sex and buy a stripper pole, and never get seriously hurt.

Book reviews

The lampshade: A Holocaust Detective Story From Buchenwald to New Orleans. 940.5318 J
Mark Jacobson. Illustrated. 357 pages. Simon & Schuster. $26.

Poisoning the press: Richard Nixon, Jack Anderson, and the Rise of Washington’s Scandal Culture. 973.924 F
Mark Feldstein. Illustrated. 461 pages. Farrar, Straus & Giroux. $30.

Ronald Reagan, as governor of California, said that Anderson and the columnist Drew Pearson, his employer at the time, “shouldn’t be using a typewriter” but “a pencil on outbuilding walls.” (Pearson and Anderson had reported that some of Reagan’s staff members were gay.) J. Edgar Hoover called Anderson “a flea-ridden dog” who was “lower than the regurgitated filth of vultures.” Nearly everything Richard Nixon said about Anderson — the pair were bitter 25-year antagonists — is unprintable here. But Anderson’s exposés about Nixon’s wrongdoing reduced the president’s special counsel, Charles Colson, to sputtering, as if someone had stuck a fork into his forehead, “Oh! Ach! Oh!” 

And Britt Hume, Anderson's protegé, is now a Fox News (news used ruefully) pit bull. Anderson died in 2004.

The real Fidel

Coltman, Leycester. (2003). The real Fidel Castro. foreword by Julia E. Sweig.
New Haven : Yale University Press.

Mentioned by Anthony DePalma in his book, The man who invented Fidel (about Herbert Matthews).

5 moguls

T.J. Stiles says these mogul biographies offer rich rewards

1. Andrew Carnegie. Joseph Frazier Wall. Oxford, 1970

In the past few decades we have seen a sweeping reassessment of the so-called robber barons of the 19th and early 20th centuries. The trend began in 1970 with Joseph Frazier Wall's "Andrew Carnegie"—a groundbreaking work that remains a pleasure to read. By turns a thoughtful sifter of the evidence, a sharp and amusing portraitist, and a storyteller with real panache, Wall brings a gift for clarity to both historical context and the blow-by-blow of business battles. His tales of intrigue among Carnegie's partners are particularly vivid. Carnegie wore many guises—he got his start as an entrepreneur through sweetheart deals, proved a ruthlessly efficient steelmaker and aspired to influence world affairs—and this book artfully integrates them all.

2. The Life and Legend of Jay Gould. Maury Klein. Johns Hopkins, 1986

Jay Gould's "reputation for being cold and aloof," writes Maury Klein, "owed much to the fact that he was a shy, reserved man whose emotions registered on so small a scale, such as tearing bits of paper or tapping a pencil, that only initiates recognized them." Such insight and literary grace explain why Klein's "The Life and Legend of Jay Gould" remains the definitive work on this controversial tycoon. The author narrates with wry humor and verve such episodes as the corruption-riddled battle among financiers for control of the Erie Railroad in 1868 and Gould's attempt to corner the gold market in 1869. But Klein's greatest contribution may be in describing Gould's later years, when he proved a master corporate strategist, building an empire around the Missouri Pacific railroad.

3. Morgan  Jean Strouse. Random House, 1999

As America's leading banker, J.P. Morgan played a role unlike any other business titan of his age, influencing one industry after another. He reorganized the chaotic railroads and forged U.S. Steel and General Electric—in other words, he was the father of the trusts that others set out to bust. "When the federal government ran out of gold in 1895, Morgan raised $65 million and made sure it stayed in the Treasury's coffers," writes Jean Strouse in this elegant biography. "When a panic started in New York in 1907, he led teams of bankers to stop it." Strouse is masterly, whether addressing finance, family, art or the human condition. Her portrait of Morgan's first rare-book librarian, Belle da Costa Greene—the daughter of Harvard's first black graduate, she passed as Portuguese—is but one example of Strouse's literary gifts and appreciation for the importance of secondary characters in a good biography.

4. Fallen Founder. Nancy Isenberg. Viking, 2007

It is not easy to get a fair hearing when you have killed the man on the $10 bill. But Aaron Burr is treated with scholarly care and writerly sympathy by Nancy Isenberg in "Fallen Founder." A hero in the American Revolution and the country's third vice president, Burr founded the forerunner of J.P. Morgan Chase: the Manhattan Co., a water company and bank. He pioneered modern political methods by systematically identifying and organizing voters, contributors and activists. Isenberg offers evidence that Burr was no villain in the 1804 duel that killed Alexander Hamilton. Three years later, Burr was arrested for what his enemies called a conspiracy to set up an independent state in the west; he was tried for treason and exonerated, then went on to become an influential New York lawyer. An astonishing life.

5. Pulitzer. James McGrath Morris. Harper, 2010

Today's reporters and media tycoons would do well to study James McGrath Morris's life of Joseph Pulitzer, the journalist, editor and entrepreneur. A proverbial penniless immigrant (a German-speaking Hungarian Jew), Pulitzer fought for the Union in the Civil War, then moved to St. Louis. There he learned English and the news business. His rapid rise in journalism was interwoven with politics, a natural twist, since newspapers were overtly partisan. He briefly held elected office but found greatness as a newspaper owner. Morris is fascinating on Pulitzer as a working (make that hard-working) reporter and editor who understood how to grab his readers—and saw where his industry was going (or could go).

—Mr. Stiles is the author of "The First Tycoon: The Epic Life of Cornelius Vanderbilt," winner of the 2009 National Book Award and the 2010 Pulitzer Prize, now available in paperback from Vintage.Printed in The Wall Street Journal, page W8
22 May 2010

A Time to Remember

The Publisher. Alan Brinkley. Knopf, 531 pages, $35

Luce is one of the original 20th century right-wing blowhards who used his position in the media to push not objectivity but his own agenda. He did hire Margaret Bourke-White to shoot photogrpahs he included in Fortune magazine from its very beginning; her photogrpahs were also prominently published in Life magazine for many years.

Alan Brinkley's "The Publisher: Henry Luce and His American Century" marshals all the material for a devastating portrait of Luce as a bombastic, autocratic press lord who was full of idolatry for "Great Men" like Chiang Kai-shek and Gen. Douglas MacArthur and who made his magazines mouthpieces for his own ideology and obsessions. Instead, Mr. Brinkley has told Luce's saga with scrupulous fairness, compelling detail and more than a tinge of affection for his vast ambitions and vexing frailties. The author chronicles how Luce built the spindly Time into the world's greatest media empire of its era, with influence unmatched by any other American magazine. Still, Luce emerges as a man of manic energies and enthusiasms who, for all his fervent yearning to do good, bent the journalism of his magazines to propagandize for dubious crusades, most famously urging the "unleashing" of Chiang in the late 1940s to recapture a China lost to communism.

That was the sort of myth that the right wing of the Republican and Democratic parties used for years to bludgeon President Truman, FDR's memory and legacy, and subsequent Democrats: that they had lost China, as if it was for the US toi keep or lose.

at a "Turkish ball" at the Waldorf-Astoria in 1934, he met Clare Boothe, the bright, beautiful daughter of a kept woman, and Luce had a coup de foudre. For all his righteous scruples, he dumped his wife of more than a decade and mother of his children, embarking on a tempestuous marriage with Clare that lasted until his death in 1967. They competed with each other, cheated on each other, tormented each other and nearly divorced a dozen times.

[coup de foudre: a thunderbolt; a sudden, intense feeling of love.]

Perhaps it is from this man who ignored his own "righteous scruples" that Rudolf Guiliani learned the trick of dumping his wife and mother of his children for another woman. And after such effrontery to the morality they so busily lectured others on, and after violating its very basic tenets, they continued to appear in public without the least show of shame.


Mr. Brinkley, who teaches American history at Columbia University, neatly captures the tone of the couple's skyscraper-in-the-clouds idyll. Luce once bragged to Clare, the author of "The Women" and onetime U.S. ambassador to Italy, that he couldn't think of anyone who was his intellectual superior. Clare replied: What about Einstein? Well, countered Harry, Einstein was "a specialist."

Modet, too.

Clare had proposed a picture magazine called Life to Condé Nast—the man, not his company—when she worked as the managing editor of his Vanity Fair in the early 1930s. Luce had the same idea, and the triumph of Life gave him an unmatched pulpit where he could preach his increasingly right-wing vision for the U.S. and the world.

What a bully pulpit, too.

It was Luce's impatience with Franklin Roosevelt's tip-toeing into the war before Pearl Harbor that spurred him to take an active role in presidential politics. He fell hard for the Republican Wendell Willkie in 1940 and made his magazines such partisans of every successive GOP candidate for the White House that many of his editors despaired. Time Inc. magazines not only liked Ike, they slobbered over him. Luce did respect John F. Kennedy (although he backed Nixon) and succumbed to Lyndon Johnson's transparent flattery. An old-school anti-communist, Luce had "a strong distaste" for Joseph McCarthy, Mr. Brinkley writes, as a "crude and coarse man" whose "excesses threatened to discredit more legitimate anti-Communist activities," and the publisher never warmed up to Barry Goldwater's frontier conservatism.

Well, nt altogether a distasteful man, at any rate.


Mr. Brinkley has told the cautionary tale of the Luce Half-Century with the rigor, honesty and generosity that Luce's own magazines too often sacrificed to the proprietor's enormous ego and will to power.

The soloist

Good performances by Foxx and Downey as the principals in the story of an LA reporter who stumbles upon a homeless man playing Beethoven on a two-string violin, befriends him, and writes about him in his newspaper column. He, STeve Lopez, wrote a book. I remember reading about him years back.

The big clock

Fairly good film from 1948. Ray Milland is good; Charles Laughton wears a ridiculous moustache, and is bearable; Elsa Lanchester plays an artist with panache, and is actually funny; Maureen O'Sullivan struggles with a stereotypically narrow role; and George Macready appears in a film yet again (he was in Gilda, playing her possessive husband).

A hotshot crime magazine editor inadvertently becomes the subject of a murder investigation after spending an evening with his boss' mistress.

When the World Tilted--Again

Kaplan, Fred M. 1959: the year that changed everything. (2009). Hoboken, N.J. : J. Wiley & Sons.


It was the year, as Mr. Kaplan's handy timeline reminds us, that Fidel Castro took power in Cuba, Berry Gordy started Motown records in Detroit, Allen Ginsberg recited "Howl" at Columbia, the Pioneer spacecraft blasted off, the dirtiest version of "Lady Chatterley's Lover" was published, Toyota and Datsun (now Nissan) made their American debuts and Ford mercy-killed the Edsel, the microchip was introduced, the first U.S. soldiers were killed in Vietnam, Frank Lloyd Wright's Guggenheim Museum opened, Martin Luther King went to India to study nonviolence, Jasper Johns and Robert Rauschenberg were shown at the Museum of Modern Art, and Searle sought approval to sell the first birth-control pill, Enovid. In sum, a year "when the world as we now know it began to take form."


Some of Mr. Kaplan's strongest chapters deal with the evolution of Dr. King and the man who seemed to some his evil twin, Malcolm X, the Black Muslim apostate, and the civil-rights rebellion that gained momentum after the first lunch-counter sit-in in Greensboro, N.C., a month into the 1960s. The author gives credit to the now all-but-forgotten September 1959 report of the U.S. Civil Rights Commission, a chart-laden, 668 pages that meticulously documented the scope of racial discrimination in America. Southern senators immediately tried to kill the commission. "Isn't a segregated life the proper life?" asked Mississippi's Jim Eastland. "Isn't it the law of nature?"