I saw coming attractions for this film when I watched Hedgehog, and took it out. I did not know quite what to expect, and I was impressed by the film. It's a great little story: a janitor in Queen Alia International Airport in Amman finds a captain's hat, takes it home, is seen wearing it by a kid who, in turn, asks him to tell him stories about his travels; at first he refuses, but is worn down by a gaggle of kids who insist on hearing his stories; he fabricates them from pieces of knowledge he has, and in the process fascinates them and himself; one other kid, Murad, is a skeptic, and deliberately breaks the spell the Captain has woven by showing three of his admirers that he is not an airliner pilot but a janitor; that boy is abused by his drunken father, who also physically abuses his wife; the Captain liberates the family form the drunkard's abuse with the help of Nour, a thirtyish female pilot who is being pressured by her father to marry, who befriends him, and, in turn, looks to him for company and guidance.
One technique that I liked was that, in scenes that build to an apotheosis, the actual act is not shown, but implied. Such a scene is when the drunkard father is going to teach his son Murad a lesson by burning his hand, the actual burning is not shown; the scene builds up with such tension that it is unnecessary to show the act itself. Hollywood does not do that; it would have shown the burning in excruciating detail.
Excellent film.
Showing posts with label Father figures. Show all posts
Showing posts with label Father figures. Show all posts
Sunday, November 11, 2012
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