
The film is too bright to be gritty, but it has a kind of harshness to the life it depicts: a 12-year-old waif wise to the hustling it takes to survive on his own and his 15-or-so-year-old sister take up residence in an upstairs room in a car-body repair shop. Alejandro works in steering business into the shop, learning how to do body repairs, peddling DVDs, stealing hub caps from cars parked at Shea Stadium, helping chop up a stolen car, and whatever else he can think of to make money. His sister, Isamar, works at a food cart, hangs out, and makes extra money by performing fellatio on truckers late at night. Ale longs to have a full life with Isamar, saving up money so the two of them can run their own food truck. The acting is not entirely polished, an aspect that acts to the realism of the film. Grim, hopeful, shot with a lot of hand-held cameras to capture characters as they walk, it is a gem of a film.
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