Showing posts with label Language. Show all posts
Showing posts with label Language. Show all posts

Thursday, September 27, 2012

Ten little Indians

Saw last 45 minutes of this film, on TCM. {Is that a politically correct expression these days?}It is an adaptation of the Agatha Christie novel And Then There Were None. One of the characters was played by Hugh O'Brian was a favorite of mine, years ago.

Time is not kind to anyone's looks, except those who choose to try and defy time and its effects. To those time is cruel, and deservedly so.


2007

Thursday, January 6, 2011

Run on, and on, and on ...

The most famous mega-sentence in literature comes at the end of the book, not the beginning. Molly Bloom’s monologue from “Ulysses” (1922) —36 pages in the thinly margined, micro-fonted 1986 single-volume corrected text (and actually two long sentences, thanks to an often-overlooked period 17 pages in) — sets an impossibly high standard for the art of the run-on. It breathlessly binds together all that comes before while nearly obliterating it, permanently coloring the reader’s memory in one final rush. It feels unstoppable, and then it stops.

Saturday, June 5, 2010

Saturday, April 18, 2009

Books on Language

April 17, 2009, 6:55 P.M. ET
Books on Language
by MICHAEL QUINION

1. The Stories of English 427 C [420s in Dewey are English & Old English; 427 is for variations]
By David Crystal
Overlook, 2004


This richly textured, nontechnical account of the evolution of English is fascinating because it interweaves multiple narratives. In parallel with the standard language, David Crystal discusses varieties usually considered nonstandard -- dialect, slang and the speech of ethnic minorities -- which previously hadn't received the same level of attention. Traditionalist speakers and grammarians deplore such varieties as inferior or corrupt, but they are increasingly becoming accepted as legitimate, not least because only one in three speakers of English now has it as a mother tongue. With a cornucopia of examples that range from "The Canterbury Tales" to "The Lord of the Rings," and from the correspondence of medieval kings to Internet chatroom gossip, Crystal's exposition is a delight.


2. Language in Danger 417.7 D [410s are Linguistics; 417 is Dialectology & historical linguistics]
By Andrew Dalby
Columbia University, 2003
Languages not only change, they also die: World-wide, a language vanishes on average every two weeks. Andrew Dalby argues that each disappearance diminishes us, because a language encapsulates local knowledge and ways of looking at the human condition that die with the last speaker. Stronger languages squeeze out others: An early example is the language extinction that occurred around the Mediterranean in classical times, through the rise of Latin. Closer to our own time, minority languages -- Irish, Welsh, Native American and Australian tongues -- were banned in school to force minority groups to speak the language of the majority. The mood is now swinging toward encouraging minority languages, and some of those in danger may be saved. Dalby's engrossing account documents endangered languages throughout the world.


3. The Thurber Carnival 817 T [810s are American Literature; 817 is Satire & humor]
By James Thurber
Harper, 1945
James Thurber's antic attitude to language was a revelation when, at age 12, I bought this compilation of essays and stories in a British paperback edition. I first understood that grammar could actually be interesting when I read "Here Lies Miss Groby," his recollection of an English-composition teacher who drilled into her charges that metonymy means "Container for the Thing Contained," as in the phrase "Friends, Romans, countrymen, lend me your ears" -- "ears" is not meant literally; their hearing is. Young Thurber lies awake at night wondering about a wife threatening to hit her husband with the milk -- would "milk" be a case of Thing Contained for the Container? Thurber's whimsical drawings are a joy -- one has a puzzled man sitting on a motionless sled, holding his dog on a leash, as a passing skater, apparently steeped in Swinburne's poetry, shouting: "I said the hounds of spring are on winter's traces, but let it pass, let it pass!" I am glad to have encountered Thurber's storytelling skills and his humor so early in life.




4. Words and Rules 400 P [400s are Language]
By Steven Pinker
Basic Books, 1999

When Americans prefer "snuck" and "dove" to the British "sneaked" and "dived," they're pointing up one of the curiosities of English: the battle between regular and irregular verbs. These two American usages are especially odd because they're 19th-century revivals, reversing what grammarians often assert is an unstoppable historical trend toward regularization. The battle of the verbs can be especially vexing for children, who are avid for rules when they learn a language -- rules that lead to errors such as "breaked" and "holded." Steven Pinker's research confirms that we actually use two tools for making words: rules and memory. Regular verbs pop into mind almost automatically; irregular ones take longer to process because they must be retrieved from memory. Pinker's "Words and Rules" is erudite, readable and funny, leading the reader through a great range of topics, one of which is the cause of the gradual transformation of language over time.

5. The Moon Is a Harsh Mistress SF Heinlein
By Robert Heinlein
Putnam, 1966
Science fiction has invented much vocabulary -- "robot," "force field" and "spacesuit," for instance -- that has since reached the mainstream. And linguistic change itself has been a significant sub-theme in many science-fiction works, partly because it contributes to the sense of otherness that is key to the suspension of disbelief, partly because it is a useful indicator of social and cultural distinctness. Anthony Burgess's anglicized Russian slang in "A Clockwork Orange" and George Orwell's Newspeak in "Nineteen Eighty-Four" are two famous examples. Another memorable example is Robert Heinlein's "The Moon Is a Harsh Mistress." With a sentient computer as a main character, the story is set in a lunar penal colony in 2075, where the inhabitants speak in an English dialect influenced by Russian and Chinese: not yet a pidgin, certainly not yet a creole, but a form of speech indicative of the changes that happen when disparate language communities are forced to communicate.

Mr. Quinion's most recent book, "Gallimaufry: A Hodgepodge of Our Vanishing Vocabulary" (Oxford), has just been published in paperback.

Wednesday, July 23, 2008

Cubicle Conversation

This is funny.

To succeed in business, it's not enough to have the sleekest laptop, the latest iPhone and the brightest ideas. You also need the right vocabulary. But don't worry.

If you want to be the boss or "fancy yourself the savviest kid on Wall Street," what you need instead, says Gregory Bergman, associate editor of Equities Magazine, is a vocabulary replete with "BizzWords." That play on buzzwords satirizes the mania for using internal capitalization in corporate and trade names -- SwingLine, ChevronTexaco, HarperCollins -- a practice that is prosaically called "BiCapitalization." (I like to call it "upsizing.")

ExxonMobil, InBev; the list goes on and on.

BizzWords constitute the "emerging vocabulary" of business English, according to Mr. Bergman, and in his book "BizzWords" he offers us a collection of "some of the newest, hippest, and most important . . . terms used in corporate America today." His dictionary "is all you need to sound like a business big shot," he boasts with marketing tongue in cheek. "Now if you could only figure out how to use Excel."

Consider these: chainsaw consultant, "an outside consultant brought in to fire employees"; brightsizing, "downsizing by laying off the brightest workers"; layoff lust, "the desire to be fired from one's job"; and to Nasdaq, meaning "to sharply decline in value or quantity."

Brightsizing is funny; I had layoff lust my last year at MetLife.

Apparently because the worlds of business and the Internet are now so intertwined, "BizzWords" culls several terms from cyberslang, including clickstream ("the virtual path a person takes while surfing the Web"), Zen mail ("an e-mail message without text or attachments") and Dorito syndrome (dissatisfaction felt after wasting time surfing the Net and accomplishing nothing).

I get Dorito syndrome; Zen mail is brilliant.