Greenberg (2010)

Ebert liked it (This is an intriguing film, shifting directions, considering Greenberg's impossibility in one light and then another. If he's stuck like this at 40, is he stuck for good? What Ben Stiller does with the role is fascinating. We can't stand Greenberg. But we begin to care about him. Without ever overtly evoking sympathy, Stiller inspires identification. You don't have to like the hero of a movie. But you have to understand him — better than he does himself, in some cases). I'm not so sure.

A. O. Scott liked it, too. I am not so sure.

The best exotic Marigold Hotel (2011)

an ensemble cast consisting of Judi Dench, Celia Imrie, Bill Nighy, Ronald Pickup, Maggie Smith, Tom Wilkinson and Penelope Wilton, as a group of British pensioners moving to a retirement hotel in India, run by the young and eager Sonny, played by Dev Patel.

Gets 78% & 79% in Rotten Tomatoes. About right. Wilkinson charcater is very well portrayed. Patel's seems a stereotype that nearly drowns in syrup. Ebert liked it. As did Stephen Holden in the Times: The screenplay does a reasonably skillful job of interweaving its subplots and of creating some mild surprises. This is a programmatically feel-good movie whose tempered optimism and insistence that it’s never too late to leave your comfort zone and explore new horizons stays mostly (but not always) on the safe side of sentimentality. Besides its sterling cast, its ace in the hole is its pungent depiction of Jaipur’s teeming streets, which give an otherwise well-mannered movie a blinding splash of color.

Finding Forrester (2000)

Fondly remembered, I went looking for it. Watched. Liked it; watched it twice. Ebert gave it three stars.
Ebert: The movie contains at least two insights into writing that are right on target. The first is William's advice to Jamal that he give up waiting for inspiration and just start writing. My own way of phrasing this rule is: The Muse visits during composition, not before. The other accurate insight is a subtle one. An early shot pans across the books next to Jamal's bed, and we see that his reading tastes are wide, good and various. All of the books are battered, except one, the paperback of James Joyce's Finnegans Wake, which looks brand new and has no creases on its spine. That's the book everyone buys but nobody reads.

Both Connery and Brown are superb in their acting.