Tuesday, August 16, 2011

To kill a mockingbird

After reading The Help, I thought if this work. I did not recall reading it, and, if I had, did not remember it. I decided to read the book, and finish it, before watching the film (which I did recall, dimly).

The book is considered a modern American classic. It is taught in high school. It is the story of the Finch family, Atticus and his son Jem and daughter Scout. Atticus is a lawyer in a small Alabam town, and is appointed by the local judge to defend a black man who stands accussed of raping a local white woman. Jem and Scout are inquisitive children who are treated kindly and somehwat indulgently by their father, whom they call Atticus. Their maid, or housekeeper, Calpurnia, is also involved in their upbringing: she is not afraid or reluctant to discipline them, including administering a swat in the leg when she feels it is appropriate.

Atticus is well respected in town. He is tolerant, sociable, and widowed. In the book his sister considers him too indulgent of his children, and pushes herself into their lives to improve what she considers some shortcomings. Primary among these are Scout's behavior; Jean Louise is a tomboy who never wears dresses, always wears overalls, fights, and otherwise does not behave as a proper girl should.

Aunt Alexandra does not appear in the film. In fact, the film dispenses with much detail, as films have to, in the interest of brevity. Her absence changes the story, yet the film is a wonderful representzation of the film. The relationships between Atticus and his kids, the trial, and relationships between Atticus and some townspeople come through. Of course, in the film there are many more relationships, and much richer detail. But a 2-hour film can only include so much detail.

Gregory Peck does a beautiful job of acting. Deservedly, he won an Oscar for his portrayal of Atticus Finch. He happens to be one of my favorite actors of all time, so I can not quibble much with his role. One weakness is that he has no Southern accent, made all the more glaring bu the rather thick accents of the kids (Jem, Scout and their friend Dill). But the basic character of Atticus Finch comes through Peck's acting: tolerant, reflective, decent.

A key scene, in which Atticus is seated in front of the jailhouse where Tom Robinson is awaiting trail, is depicted quite nicely in the film. Heck Tate, the local sheriff, warns Atticus that a group of local men is headed for the jail, looking to take Tom out and lynch him. Atticus prevents them from taking Tom, but the situation is diffused when Scout talks to Mister Cunningham about his son, her schoolmate.

The word nigger is used in the book, as it was, surely, in 1935 Alabama. At one juncture Scout tells Atticus that she has fought in school, something he has forbidden her to do, because a classmate call her father a nigger lover. She tells Atticus so, and he tells Scout to not use the word, then explains to her why he is defending a Negro.

I found the lack of use of the word nigger to be a detriment in The Help. Surely the word was used in 1962 Mississppi, even by genteel white folks. Its absence, it seemed to me, spoke more to the political correctness of our current day, than to the character of 1962 Jackson. Nonetheless, both books address a similar social milieu: the role of black servants in white families. Of course, Mockingbird delves into a deeper topic, racism, and Help does not go quite as deep. It, too, considers racism, of course.

Mockingbird is not an easy read. At first, I found it difficult to approach. Yet I did get into it, and now, having ended it, and having seen the film, I am astounded by its radicalism. It was published in 1960.

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