One reviewer has it this way: Director/co-writer Bertrand Tavernier, known for the realism in his films, takes the same matter-of-fact approach here, immersing the viewer in the very bleak everyday living conditions of the children and their families. While this sets a decidedly somber tone, it doesn't bludgeon; as tragedies take place, providing a tonic is the quiet heroism of Daniel and his efforts to challenge the system. True to the overall realism, Daniel is no perfect paragon of virtue; he has his share of character flaws (foremost, ego), and all facets of his personality are vividly conveyed by Torreton. But his--and the film's--the unwavering sense of cautious hope keeps the experience from being a draining downer and makes it a profound study of an all-too-common human condition.


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