Saturday, January 16, 2010

The man who never was


Quite good. 1955. It worked quite well. Of course, there is a website for the operation itself.

Clifton Webb plays the role of Ewen Montagu, the British operative that masterminds the deception of the Germans, an operation to make them think that Sicily will not be the main objective of the Allied invasion of Europe in 1943. A body is sent as an emissary, his pockets filled with the every-day objects that any man would have; an attached briefcase contains documents that make it seem that Greece will be the main objective of the Allied invasion.

I became aware of the story in reading David Ignatius's Body of Lies. I have the book, written by Ewen Montagu, who was portrayed by Clifton Webb in the film.

Webb was born in Indiana, yet his English accent was quite good. His career was rather interesting: he did not make many films, yet had a handful of very good roles, including this one, Laura and Razor's Edge (nominated for awards for the latter two).

Gloria Grahame plays the role of a woman looking for romance, an American who every so often has something approaching an accent I judged to have been English. She shares a flat with Pam, who is secretary to Lt. Cmdr. Ewen Montagu. When the plan is underway, implementing it requires credible details and items. One is judged to be a love letter from the dead man's sweetheart. Lucy (who refers to herself early in the film as a librarian) is falling in love with a pilot. Pam is assigned the task of writing a love letter, but has trouble with it (being somewhat sexless herself, she remarks to Lucy, after warning her not to fall in love with a pilot, that if she were to fall in love, she would allow it to happen during the war, to avoid pain and to save her full effort and strength for the war effort). Pining for her pilot lover, Lucy dictates a letter full of longing, pathos, unfulfilled love, fear, and passion.

The body is released from a submarine, wearing a Mae West (also called so in the book), his briefcase attached to a chain that wraps around his waist and down and out of his sleeve. It is found by Spanish in Huelva. That is described  in the book: Huelva is far enough away from Gibraltar that it is trusted the body will not be delivered to the British there. It is also known by the British that there is a German operative in the Huelva region who is likely to get documents from the washed-up British man.

The Germans (called Jerry by the British officers) are impressed, but need confirmation that the dead man (Michael Martin) was really whom he seemed to be. An operative is dispatched to ascertain the truth; he is played by Stephen Boyd. He lets a room in a boarding house, using an Irish brogue to charm the landlady. Once inside, he sets up his telegraph machine, communicates with his people, and sets out to find proof.

He goes to a tailor shop and inquires about his "friend" having bought shirts there. That is inconclusive. He winds up in the flat of the two women, and waits. Pam comes home, and he speaks with her, not knowing her role or job. Eventually Lucy shows up, after having received a phone call from her Joe's pilot mate, telling her of his demise.

In the flat Patrick O'Reilly asks questions, including some about Michael Martin. In her grief Lucy speaks of the pain of romance and of loss, and O'Reilly is convinced that Michael martin was a real man. Before leaving he gives the women his address. He goes back to his flat and telegraphs his contacts including saying that if they do not hear back from him in an hour then they can assume that Michael Martin wasn't real.

The Brits go after O'Reilly, but before actually arresting him Montagu calls the commander and reasons with him: O'Reilly wants to be arrested, so let us not do so. When they do not arrest him, O'Reilly telegraphs his contacts that martin was real.

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